“Destabilising demarcations between the organic and the synthetic, science andfiction, human and non-human, Anicka Yi’s protean creations are undergirded bywhat the artist describes as the ‘biopolitics of the senses’. Yi’s new body of workcenters on recent enquiries into ‘biologizing the machine’ as she focuses in on thesensorium of the machine and contemplates how new channels of communicationcan be established between artificial intelligence (AI) entities and organic lifeforms.”

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